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Sotheby’s Magazine – How Lee Krasner Became A Fashion Muse

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Long overshadowed by her male peers—especially her husband Jackson Pollock—the abstract expressionist is slowly getting the recognition she deserves. Fashion designer Ulla Johnson celebrates Krasner’s exuberant, exacting work in a new collection for spring.

Artnet – A Major Paris Show Reveals Jackson Pollock’s Early Struggles with Picasso

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Before the American painter found his trademark drip technique, he labored to absorb the lessons of the Spaniard’s oeuvre.

Smithsonian Magazine – Before He Created His Vibrant Drip Paintings, Jackson Pollock Took Inspiration from Pablo Picasso

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A new exhibition in Paris demonstrates the influence that the Spanish artist had on the young American painter who would help usher in the Abstract Expressionist movement. 

Kasmin to Represent Jackson Pollock’s Work Worldwide, Next to Lee Krasner

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The gallery’s partnership with the Pollock-Krasner Foundation expands eight years after it began.

Apollo Magazine – Getting to Know Lee Krasner

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Gail Levin’s biography aims to set the record straight on the life and legacy of the great Abstract Expressionist.

The Guardian – Reframing Lee Krasner

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Lee Krasner’s huge contribution to abstract expressionism was overshadowed for years by the work of her husband, Jackson Pollock. On the eve of a major London show, we trace her story. 

The Wall Street Journal – Lee Krasner, Living Colour Review: From Pain to Primacy

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A retrospective of the Abstract Expressionist painter contains some of the most exciting modernist works you’ll ever see.

The Times – Lee Krasner, Living Colour at the Barbican Art Gallery — a rousing and persuasive tribute

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Lee Krasner’s bold art was constantly in flux, but her career was no less impressive for it, as a clever show reveals.

Forward – Lee Krasner – Kasmin Gallery

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Freed from the shadow of Krasner’s husband Jackson Pollock, another glorious solo show emerges.

Vogue — Lee Krasner’s Radical Reinventions

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Plenty of people loathe change. The same goes for artists: They figure out their style, and they stick to it. (You know a long-necked Modigliani when you see one.) Lee Krasner, however, was not that kind of artist.

THE BROOKLYN RAIL – LEE KRASNER – THE EDGE OF COLOR GEOMETRIC ABSTRACTIONS 1948-53

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Kasmin has on view multiple manifestations of the artist’s mid-career solstices poised primarily in poles between Analytical Cubism-influenced tectonics and a more lyrical, Mattisean Baroque. Click here to read the full article.